V-topie
Roberto Rossini's videos, taking for granted the 'experimental' dimension, become a dreamlike tool - in his ability to represent mental flows
through the simulation of the impossible - where bodies, faces, things are presented as pure simulacral surface,
post entity - organic and immaterial.
Roberto Rossini's videos, taking for granted the 'experimental' dimension, become a dreamlike tool - in his ability to represent mental flows
through the simulation of the impossible - where bodies, faces, things are presented as pure simulacral surface,
post entity - organic and immaterial.
PROGRAM
Real Time
3’19” Utopia production 2016
1000 plateaux
7’53” Utopia production 2019
Anteprima video
Locus Solus LIVE (TRAILER)
4’11” Performance Art TV 2017
Zeitgeist (LONG VERSION VIDEO)
13’00” Utopia production 2007
VIDEOHAIKU
Videocompilation
Flutter of eyelides 3’:18” 2007
Consciousness 3’:50” 2010
Gesti 3’:11” 2011
Ontheground 3’:11” 2012
Apophenia 2’:03” 2013
Me 1’:58” 2014
Utopia production
Twenty Bucks a Change
3’42” Utopia production/Anitya Records 2020
Music video with Paolo Tarsi (Anitya Records)
Real Time
3’19” Utopia production 2016
1000 plateaux
7’53” Utopia production 2019
Anteprima video
Locus Solus LIVE (TRAILER)
4’11” Performance Art TV 2017
Zeitgeist (LONG VERSION VIDEO)
13’00” Utopia production 2007
VIDEOHAIKU
Videocompilation
Flutter of eyelides 3’:18” 2007
Consciousness 3’:50” 2010
Gesti 3’:11” 2011
Ontheground 3’:11” 2012
Apophenia 2’:03” 2013
Me 1’:58” 2014
Utopia production
Twenty Bucks a Change
3’42” Utopia production/Anitya Records 2020
Music video with Paolo Tarsi (Anitya Records)
BIO
Roberto Rossini, since the mid-70s is active in the Italian scene of performance art.
Mainly performances, installations and videos, his works – product of a psycho-corporeal and transmedial research – are shaped like events dealing with the separation experienced between sense and the instruments of knowledge: perception-receptiveness-presence. This practice gave birth to the projects presented in many performance and visual art festivals, often in particular spaces, such as industrial plants, historical buildings, religious temples and natural or defuntionalized environments. Rossini was author of a RAI series of experimental radio programmes and realized video-art works dealing with the processes of the unconscious mind and the concepts of imagine-time-movement. During his activity, he deepened the anthropological roots of per- formative research by getting in touch with native cultures and through many seminars on corporal research. He has also given lectures and leaded workshops on the subjects of performance and multimedial communication. He teaches at the Accademia di Belle Arti of Genoa and at the IED - Istituto Europeo di Design of Milan.
www.ontheground.it
Roberto Rossini, since the mid-70s is active in the Italian scene of performance art.
Mainly performances, installations and videos, his works – product of a psycho-corporeal and transmedial research – are shaped like events dealing with the separation experienced between sense and the instruments of knowledge: perception-receptiveness-presence. This practice gave birth to the projects presented in many performance and visual art festivals, often in particular spaces, such as industrial plants, historical buildings, religious temples and natural or defuntionalized environments. Rossini was author of a RAI series of experimental radio programmes and realized video-art works dealing with the processes of the unconscious mind and the concepts of imagine-time-movement. During his activity, he deepened the anthropological roots of per- formative research by getting in touch with native cultures and through many seminars on corporal research. He has also given lectures and leaded workshops on the subjects of performance and multimedial communication. He teaches at the Accademia di Belle Arti of Genoa and at the IED - Istituto Europeo di Design of Milan.
www.ontheground.it